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Haris Pašović (born 16 July 1961) is a Bosnian theatre and film director. Over the course of his wide-ranging career, he has also worked as a playwright, producer, choreographer, performer, and designer.〔(Los Angeles Times (April 17, 1994): ''Ensuring Culture Survives Amid the Horrors of Sarajevo'' by Danica Kirka )〕 He is best known for his productions of Wedekind’s “Spring Awakening” and numerous collaborations with other artists, including Susan Sontag and Peter Brook.〔(Slovene National Theatre Maribor: Miroslav Krleza, Europe Today )〕 He is the artistic leader of the East West Theatre Company in Sarajevo and tenured Professor of Directing at the Academy of Performing Arts in Sarajevo.〔(Academy of Performing Arts in Sarajevo: Full-Time Professors(in Bosnian) [cited February 21, 2012] )〕 ==Life and career== Pašović was born in Sarajevo, Bosnia and Herzegovina in 1961. His education includes the Academy of Performing Arts in Novi Sad, former Yugoslavia; the Fulbright Scholarship in the USA (University of Hawaii, Honolulu, New York University and the University of Wisconsin, Madison); the UNESCO High Levels for Directors, Festival d’Avignon, France, and other professional trainings. He directed in some of the most significant theatres in the former Yugoslavia and participated in a number of festivals worldwide. His productions of Frank Wedekind’s ''Spring Awakening'' and ''Calling the Birds'' based on Aristophanes’ play ''The Birds'' (both at the Yugoslav Drama Theatre, Belgrade 1987/90) have been considered as the landmarks in the theatre of the former Yugoslavia. Likewise, Samuel Beckett's ''Waiting for Godot'' (Belgrade Drama Theatre) and Alfred Jarry’s ''Ubu Roi'' (National Theatre Subotica) have been considered as the classic productions in the ex-Yugoslav theatre, the former being the last Yugoslav premiere performed on the eve of the war in the country. As the artistic leader of theatre ''Promena'' (“Change”), Pašović directed with a great success Wiess's ''Marat/Sade''; Wedensky’s ''The Christmas Three at the Ivanovs''; Kis's ''Simon the Magus'' on a lake surrounded by sand desert; Buñuel's ''Hamlet'' placed in the fortress sitting on a rock rising from the Adriatic Sea (Dubrovnik Summer Festival) and many other plays.〔(East West Theatre Company: Haris Pašović )〕 During the siege of Sarajevo (1992–96) Pašović spent most of the time in Sarajevo managing the MES International Theatre Festival.〔(San Francisco Jewish Film Festival: Haris Pašović - Biography )〕 He directed plays and produced several shows, among others ''Waiting for Godot'', directed by Susan Sontag.〔(New York Times (19 August 1993): ''To Sarajevo, Writer Brings Good Will and 'Godot by John F. Burns )〕 In 1993, while Sarajevo was still under the siege, he also organized the first Sarajevo Film Festival “Beyond the End of the World”〔(''The Guardian'' (5 April 2009): Desperately thanking Susan by Imogen Carter )〕 and was one of the most prominent advocates of naming a square in Sarajevo after Susan Sontag.〔(CBC News: ''Sarajevo to honour U.S. writer Susan Sontag'' published 5 April 2009 (accessed 19 January 2012) )〕〔(Bled School of Management )〕 Pašović even managed to tour in 1994 to several European countries (under UNESCO auspices) with the Sarajevo Festival Ensemble invited by Peter Brook and Théâtre des Bouffes du Nord. During the tour, the Ensemble performed two productions he had directed in the besieged city: ''Silk Drums'' based on the Noh plays, and ''In the Country of Last Things'', based on Paul Auster's novel. After the war, Pašović directed several documentaries including ''Greta'',〔(Fandango: ''Greta Synopsis '' (accessed 19 January 2012) )〕 a story on Prof. Greta Ferusic who survived both Auschwitz and the siege of Sarajevo; a documentary trilogy entitled ''Home'', ''Love Thy Neighbor'' and ''The Balkans – Blood and Honey'' about the American journalists David Rieff, Peter Maass and Ron Haviv, who had reported from the Bosnian War and an art documentary entitled ''A Propos de Sarajevo'' about the Sarajevo International Jazz Festival. In 2002, Pašović made a spectacular comeback to theatre directing Shakespeare’s “Romeo and Juliet” in front of the Parliament of Bosnia and Herzegovina in a downtown Sarajevo. This was a brave futuristic production about a Muslim Romeo and a Christian Juliet, which involved 25 actors and live musicians, 1000 sq. m of stage, a 60-member crew, arms, vehicles, fireworks, video projections across the façade of the Parliament building and has stopped the traffic in the main city artery for four hours each night it was performed. In 2005, Pašović established the (East West Theatre Company ) and directed a number of shows. Pašović also writes the plays. He wrote ''Rebellion at the National Theatre'', ''Ulysses'', ''Silk Drums'', ''Bolero, Sarajevo'' and ''Football, Football''. He also adapted several texts including Alfred Jarry’s ''Ubu Roi'', Aristophanes' ''The Birds'', Miroslav Krleža's ''Europe Today〔(Laibach Official Website: Europe Today )〕'', Nigel Williams' ''Class Enemy''〔(''The Guardian'': ''Edinburgh festival: Class Enemy'' by Mark Fisher; 21 August 2008 (accessed 17 January 2012) )〕〔(SCOTSMAN: Brave art - Haris Pašović's Class Enemy )〕” and several others. He writes essays〔(THE UNIVERSITY OF IOWA: Haris Pašović, City the Engaged )〕 and articles. Pašović gave a number of workshops and master-classes for directors and actors, as well as public lectures (Tyrone Guthrie Centre; National Theatre of Scotland/Edinburgh International Festival; Queen's University, Belfast; Drama Centre Singapore; Festival Desire Subotica, Serbia, etc.). He is a co-founder of the Directing Department at the Performing Arts Academy in Sarajevo. Several of his students are today internationally acclaimed film directors (such as Academy Award-winning Danis Tanović and Golden Bear-winning Jasmila Žbanić). Pašović lives in Sarajevo. He teaches ''Directing'' at Academy of Performing Arts in Sarajevo and ''Arts and Leadership'' at the Bled School of Management, Slovenia.〔(Bled School of Management - Faculty List )〕 Haris Pašović is the main initiator of a large-scale event called Sarajevo Red Line which in April of 2012 commemorated the Siege of Sarajevo's 20th anniversary. This drama and music poem dedicated to Sarajevo citizens killed during the 1992–96 Bosnian War consisted of 11,541 red chairs placed on the main Sarajevo street and it included a street exhibition and a concert. The event received a big international coverage in the media and was broadcast live in a number of TV stations.〔(Huffington Post: ''Sarajevo Marks The Conflict's 20th Anniversary '' [cited 29 May 2012] )〕〔(Balkaninsight.com: ''Sarajevo to Mark 20 Years Since Siege Started'' by Elvira Jukić - In English[cited 9 April 2012] )〕〔(Al Jazeera: ''Sarajevo hosts a concert 20 years after siege '' Edin Krehić and Selma Milovanović [cited 9 April 2012] )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Haris Pašović」の詳細全文を読む スポンサード リンク
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